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Sounds Gay I’m In Vintage Shirt . heavenshirt It feels really personal to me,” said Robert Cavalli of his Florentine dandy-meets–British punk Spring collection. Indeed. What’s more personal than staging a presentation at your mother’s home? If the so you should to go to store and get this mother in question is Eva Cavalli, then expect the home to be lavish. Her Florentine apartment, ensconced in a noble palazzo in the heart of the old city, boasts a magnificent secret garden, lush with century-old trees overlooking an ancient monastery and a church. Models and guests were lounging on the lawns, seemingly without a care in the world. At his label Triple RRR, the young designer is honing a languid aesthetic infused with an underground vibe. He has a penchant for a decadent Renaissance mood and favors opulence of fabrications and flamboyant yet elegant silhouettes, which he undercuts with irreverence and a flair for subversion. His signature robes de chambre in silk satin were worn over denim and with combat boots, and strict British-inspired tailoring was smoothed with almost feminine accents, as in ribbon belts cinching the waists of elongated blazers.
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Sounds Gay I’m In Vintage Shirt . heavenshirt Slender suits were given a sensuous finish via sumptuous mauve silk moiré, while a Prince of Wales jacquard suit was printed with red tigers and esoteric symbols. A little homage to Vivienne Westwood never hurts. It’s well known that the Cavalli family is fond of keeping a menagerie of exotic animals as domestic pets (think snakes, monkeys, iguanas); the young Robert doesn’t stray from tradition. He drew inspiration from his 25-year-old parakeet, Tommaso, the presentation’s guest of honor, whose colorful plumage was reproduced as a painterly print on a denim jacket and matching pants, or on a liquid silk robe coat, worn with a pale blue metallic leather biker. But beyond his family legacy, Cavalli is carving a place for himself in the fashion arena. If he keeps true to his quite personal mix of romantic, sensual rebelliousness, it’ll be interesting to follow his label’s future steps. So this shows Keynes’ awareness that in reality spending does not represent the depletion of wealth. He realized that the solution for production shortages in a situation where we have un- or underutilized resources, (including un- or underemployed people), is to increase spending, not to decrease spending. He realized that the increased spending will, for the most, part lead to increased employment of resources and increased net production of wealth. He showed that in such a situation, due to the effect of producing new wealth and preserving current wealth, increased spending can cause increased total wealth, and a higher standard of living, and improved quality of life.
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