A Boogie Wit Da Hoodie Flood My Wrist Black Shirt

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The major starting point for the Besides,I will do this collection, Vaccarello said at a preview, was Marrakech in the ’70s (YSL was a habituée) reimagined as 21st-century Los Angeles, a city that resides on Vaccarello’s own emotional landscape A Boogie Wit Da Hoodie Flood My Wrist Black Shirt . (He first visited when he was 14, and there have been many return visits.) While that’s some geographical leap, it’s not an unimaginable one; both locations speak to a yearning for a certain bohemian, free-spirited, almost mystical escape. “You come to L.A. for vacation,” Vaccarello said. “You can disconnect from the rest of the world.” The Morocco-by-way-of-LA-isms were smartly and sparingly deployed throughout the collection and considered flourishes, not theme-gone-wild. The tasseled hoods, djellaba shirting, and embroideries of tiny silver discs suspended from chains amplified the rigor of the classic YSL vestiaire that Vaccarello has been busy exploring (the saharienne, the sharp-as-a-tack tux) as well as the kind of pieces (the bomber, the spencer) that he has introduced into the house’s lexicon. At a time when men’s tailoring is coming back with a vengeance,

A Boogie Wit Da Hoodie Flood My Wrist Black Shirt, hoodie, sweater, longsleeve and ladies t-shirt

there was plenty of it here that intrigued, including jackets whose shoulder seams ran on the bias, keeping the line defined, but, apparently, allowing for more comfort and mobility A Boogie Wit Da Hoodie Flood My Wrist Black Shirt . After all, how else might you convince a generation accustomed to the freedom of streetwear to try tailoring on for the first time and keep it on? The other major reference for the collection was Mick Jagger, circa the Rolling Stones tour of 1975, where the lead singer got to shake a tail feather on stage (and off) in all sorts of glossy and glittery finery. Vaccarello understands, as Jagger did, that a man never looks more masculine than when he’s in satin and sparkle. So he took the opportunity to reference the androgyny of the glam-slam ’70s with one that reflects today: the gleaming black teddy jacket whose sleeves were cut with kimono-like proportions, for instance, or an ivory satin suit, which came with a matching silk shirt left undone save for the knot at the waist. (Jagger, incidentally, who gave Vaccarello access to his vintage YSL, is returning the compliment by wearing some pieces from this collection when the Stones start their U.S. tour later this month, including the cobalt blue-to-black dégradé beaded blouson.) Egyptian clothing, as were clothes from all ancient societies, was made from locally-sourced materials. Egyptian society was one of the earliest agricultural societies. That is why the ancient Egyptians wore light clothes made from linen. Linen is made from flax – a plant that was grown along the Nile. The picture to the right shows the flax growing process.
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